Sni

When I was a child, I used to love the funnies.

Oh, who am I kidding? Im still a child, and I still love the funnies! I MESOTHELIOMA advice the good ones all over my wall here in my office, and in my studio at home. I get my news bits from Doonesbury. I went into mourning when Calvin and Hobbes creator Bill Watterson called it quits.

But just recently, I discovered webcomics. I especially like them because of the easy access. Its like in my bookmarks Ive created my own funny pages. Mostly theyre done by amateurs, artists that just love to draw. Once in a while, one rises above the pack and begins to find financial success. There are a few that have managed to bad credit remortgage their webcomic into their full-time living.

Lets take a look and see what theyre doing right.

First of all, the authors of the comics are passionate. They love what theyre doing. They have to, because it can take a while before a comic is popular enough to make any money.

Second, the sites are focused. Theyre not full of scattered nonsense that a visitor has to sort through. The sites are about the strip and the characters.

Third, the sites are updated regularly. Most of the ones that have made the transition from hobby to job are posting impotence help strips daily, sometimes all seven days. Most maintain a commentary or blog alongside the strip. So, theres constantly new content to bring people back to the site, often on a daily basis.

Ever hear of the 80/20 rule? It says that in any collection, 80% will be garbage, and 20% will be of any quality. That holds true in webcomics, too. The ones that make the living for the artist, though, are all well-crafted. Theyre well-written, with good story and character continuity. Theyre well-drawn, and theyre constantly improving their art. The point? Fourth, the product theyre selling is quality.

Fifth: Theyre innovative in their business models. A web comic is free. People can just log into the website and read it. Why would anyone want to pay for it? Thats just not how it works. So, how do you make a living at it? Merchandising is often a big part of it, as well as advertising. Some are also marketing their art in books, and in the mainstream printed media as well. Theyre all about new ways to make their art profitable.

Sixth, they have identified their audience, theyve courted that audience, and they deliver what that audience wants. Most webcomics are humor-driven, but are also built on multi-strip, often ongoing story arcs, rather than one-strip gags. Since they dont have editors to please, they often are edgier than newspaper comics, and that allows them to target niche markets, like computer gamers (pvp), or twenty-something pop culture (questionable content-a comic that, in spite of its name, is actually quite tame in its actual content).

Seventh, they tap into existing promotional networks. Virtually all successful web comics engages in reciprocal linking with other web comics. There are lots of vertical portals and directory sites devoted solely to web comics, and the best ones use both. They dont rely on only one promotional method, including traveling to comic shows and conventions and other F2F (Face-2-Face) strategies.

The bottom line? Whenever you see someone succeeding in their chose line, do two things. First, microsoft exchange hosting them. Theyre making it work. Second, even if theyre doing things youre not interested in, study them. Trust me, you CAN auto insurance quote online from them all.

Mark Hansen has been an Internet Business Mentor for over 6 years, and is currently the Head of ClickIncome.com ClickIncome.com's mentoring department.